Ashley / 23 / lesbian / nyc /
single / aquarius / designer /

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Gonna take a mighty swipe
At the high horse


I like:
Design / Art / Photography / Movies /
Music / Fashion / Models /

I love:
Freja Beha / Kate Lanphear / Florence Welch /

Good artists copy, great artists steal.
- Pablo Picasso


Background courtesy of Desktopography

May 22nd
9:07 PM
Via

staceythinx:

As a former surfer, Paul Bobko had plenty of time to observe waves of all shapes and forms. It was during this time that he found his inspiration for his series Water Landscapes-Suspended Energy. 

About the project:

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc. At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment. After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous end.

So to do Paul Bobko’s Water Landscapes-Suspended Energy photographs allow us to see that very moment of hesitation when the force of nature that is the ocean wave, ceases to be propelled by the surging forces of the ocean floor. The ocean suddenly lets go and sets it free, it hesitates at this moment of release, then crashes on the shore, liberated, but spent. Bobko shows us this very moment of hesitation, before the explosion. The outline of the explosion is clear and coming, but it hasn’t happened yet, it is, as yet, prelude…the power is still coiled in the curl, frozen for this second. Light comes glowing through that watery tunnel, foam is leaping from its crest, escaping and ecstatic. The menace is limned in the terrifying flexing of its form. It is most exhilarating to see the noun become the verb.

LOVE. i really wanna make the top one my desktop background but it’s not big enough :(

December 18th
12:41 AM
Via
melisaki:

Night in NY
photo by Lucien Clergue, Nus de la Ville series; 1977

melisaki:

Night in NY

photo by Lucien Clergue, Nus de la Ville series; 1977

November 13th
5:25 PM
Via
davidup:

He had just saved her from a fire in her house, rescuing her by carrying her out of the house into her front yard, while he continued to fight the fire. She is pregnant.
The firefighter was afraid of her at first, because he had never been around a Doberman before. When he finally got done putting the fire out, he sat down to catch his breath and rest.
A photographer from the Charlotte, North …Carolina newspaper, “The Observer,” noticed this red Doberman in the distance looking at the fireman. He saw her walking straight toward the fireman and wondered what she was going to do. As he raised his camera, she came up to the tired man who had saved her life and the lives of her babies, and kissed him, just as the photographer snapped this photograph….

My first dog, Brandy, was a red doberman and looked just like the dog in the picture. OMG. SO CUTE. <3

davidup:

He had just saved her from a fire in her house, rescuing her by carrying her out of the house into her front yard, while he continued to fight the fire. She is pregnant.

The firefighter was afraid of her at first, because he had never been around a Doberman before. When he finally got done putting the fire out, he sat down to catch his breath and rest.

A photographer from the Charlotte, North …Carolina newspaper, “The Observer,” noticed this red Doberman in the distance looking at the fireman. He saw her walking straight toward the fireman and wondered what she was going to do. As he raised his camera, she came up to the tired man who had saved her life and the lives of her babies, and kissed him, just as the photographer snapped this photograph….

My first dog, Brandy, was a red doberman and looked just like the dog in the picture. OMG. SO CUTE. <3

1:09 AM
Via
arrogantmuse:

Tilt-Shift photo of New York.

arrogantmuse:

Tilt-Shift photo of New York.

November 1st
7:04 PM
Via
equanimities:

Sea Monster (by Phil Gibbs)

equanimities:

Sea Monster (by Phil Gibbs)

October 16th
5:04 PM
Via
October 6th
11:24 PM
Via
cordisre:

no fins (di ennnric)

i have a softspot for underwater photography.

cordisre:

no fins (di ennnric)

i have a softspot for underwater photography.

October 4th
1:50 AM
Via
mindfucked.

mindfucked.

October 2nd
5:20 PM
Via
kari-shma:

Ocean Landscape Wave (by ►CubaGallery)

kari-shma:

Ocean Landscape Wave (by ►CubaGallery)

September 30th
12:40 AM
Via
August 14th
11:30 PM
Via
i &lt;3 hazel dooney. huge crush! both artistically and&#8230; damn. unf.

i <3 hazel dooney. huge crush! both artistically and… damn. unf.

July 29th
7:21 PM
Via
taschkaturnquist:

by Mert &amp; Marcus for LOVE #6

taschkaturnquist:

by Mert & Marcus for LOVE #6

July 24th
9:35 PM

L. Weingarten - A Series of Questions

This ongoing body of work explores the power dynamics inherent in the questions asked of transgender, transsexual, genderqueer, gender non-conforming, and gender-variant people.

Many documentary photographic projects that deal with trans issues exploit the genders of their subjects, pointing to an “otherness” or inappropriately exoticizing their bodies.A Series of Questionsseeks instead to make visible the transphobia and gender-baiting that can become part of everyday interactions and lives, forming a fuller picture of the various lived experiences. In so doing, this work contrasts with the dehumanizing approaches that predominate the images made of transgender, transsexual, genderqueer, gender non-conforming, and gender-variant people, which often focus solely on their gender or trans status, or use them to further a specific point about social construction and gender.

The subjects hold signs depicting questions that each has had posed to them personally— some by strangers, others by loved ones, friends, or colleagues. Presented on white wooden boards, the questions are turned on the viewer, shifting the dynamics under which they were originally asked, and prompting the viewer to cast a reflective, self-critical eye upon themself, revealing how invasive this frame of reference can be.

As a greater number of subjects and questions are accumulated, a relentless conversation of questioning emerges. Attention is directed not on the backgrounds of the transgender, transsexual, genderqueer, gender non-conforming, or gender-variant subjects, but on the dynamics at work in these conversations. I am interested in uncovering the typology of these questions, discovering what categories of questions emerge as the script of power dynamics and interrogation is flipped.

This is excellent.